By Emily Cain and Haley Bryant with Krista Zawadski, with support from the Government of Nunavut and the Dept. of Anthropology, Smithsonian National Museum of Natural History
In 1974, this hunter and his kayak (qajaq) were carved from grey soapstone by Dick Kilikavioyak (1902-1982). Collected the same year they were made by Dr. G. Edgar Folk, Jr. and his wife Mary Arp Folk, the pair joined the collection at the National Museum of Natural History in 1995, along with 129 other objects, as a part of the “Mary Arp Folk Collection of Eskimo Art and Artifacts”. Dick Kilikavioyak was an Inuk (Innuinait) artist based in Kugluktuk, Nunavut (formerly known as Coppermine). This little stone hunter is equipped with a wooden paddle and two spears (made with wooden hafts and metal points, then secured to the kayak with sinew). There are two stone fish in the kayak with him, indicating a successful day on the water. Today, as throughout all its history, traditional hunting and fishing play an enormous role in the lives of the people along the Coppermine River. These activities feed and clothe families and provide a connection to ancestral lands and practices. More recently, kayaking (as well as hiking, fishing, hunting, and other outdoor activities) has also played a role in the burgeoning tourism industry in Kugluktuk, and Nunavut more broadly.
This object is evocative of life in Kugluktuk in more than one way, however. While the content matter of this sculpture provides insight into the traditional and contemporary economies of the region, the form and matter of the sculpture also convey a great deal. Examining carved objects and artworks such as this allow us a window onto the traditional carving practices in this region, as well as how they were shaped and encouraged by the mid-century growth of external demand for Inuit art.